mosaikberlinsound / m32-scenes-and-presets Goto Github PK

Need to see with worship team whether this is now a part of the standard equipment.

We are adding an electric guitar in stereo as a default.

Steps

• Update scene file
• Update patch field description on rack
• Update patch field description on stage engineer setup guide
• Update patch field description on sound engineer setup guide

The fader of the PC sound is not up which always surprises when we start the livestream. Also, the gain level is very low.

Dave's voice sounds really unpleasant with the settings of 08/14/2022. The "s" sounds are very disturbing. In addition, Dave's voice has no body. I will try to upload today's scene file in a separate branch.

I do not believe the limiter is really limiting on the matrix 5/6. That is something to check for.

Bass IEM is regularly distorted - it worked today to reduce the Bass IEM Bus volume (Bus 3/4).
I tried -12dB, but less reduction might work, too (-> Bass IEM output of stage box / M32 is overdriving the Fisher Amp).

proposal for Bus 15: let the sends of voice channels be at 0db. There is a DCA effect that operates on the bus. With current value, the DCA fader has to be high in the plus range to hear the effect kicking in. It is then challenging to fine tune the effect.

The sends to FX are mixed up (vocals send to room fx and vox fx). The volume to the livestream is too high and also the starting balance is not good. Gain of audience mics too low, and the volume to the livestream must be adjusted.

The host and preacher microphones (wireless microphones) are very sensitive for feedback loops. Therefore, we added a gate to these mics. Now, the mic is acting too strong and therefore cutting of the speech too much. We reduce the range to -12 dB so that the gate is reducing the volume just by this amount when active.

How does the end result look like?

We have a pair of mics that can grab the sound well from the audience without catching too much sound from the speakers. The mics are easy to set up and not noticeable by the audience.

Why should we not act?

It adds another step to the setup routine. It costs quite some money. There is a risk that it only grabs enough of the audience when the mic is in sight of the stage which is very disturbing.

Additional information

On December 4th, we will have a kids choir on stage for the nativity play. For this occasion we would need microphones which we do not have in our portfolio now. We ordered 2 pairs of mics and tested them and will continue the test next Sunday. We test the Røde NTG4 and the Sennheiser MKE 600.

What do we need to do?

• [] Update the scene file
• [] Update the setup routine description
• [] Update the stage engineer role description

Reminder. See $TITLE.

Adding a stronger compressor on the click